Bloomsday strides up the Lakeside entrance to Elsinore Courthouse, which opened its doors to the seething masses of despair in 1976.
Friday, December 14, 2012
Morning in Clevelandia
Bloomsday strides up the Lakeside entrance to Elsinore Courthouse, which opened its doors to the seething masses of despair in 1976.
Monday, November 12, 2012
The Bridge Is Haunted: The Musical
The Ballad of Ghost #12
(But Now I'm Dead)
(VERSE ONE):
(March)
I once had lived a happy life
no cares no dread
no nagging wife
But then the love bug bit me
on the ass.
So fine i found love-thoughts profound
I saved my scents
and cents and sense
Then went ahead and spent them
on a lass.
She bore me fruit, a boy and girl,
and coaxed my hair
to peppered grey.
And gave me joys and sorrows
everyday.
(CHORUS)
(Gospel)
[Call]: But, now I'm dead.
[Response]: Oh, yes! He's dead!
[Call]: I'm really dead.
[Response]: Oh, yes! He's dead!
I never will again lie down my heavy, weary head
[Call]: So, now, I'm dead.
[Response]: Oh, yes! He's dead!
[Call]: I'm really dead.
[Response]: So very dead!
And now the only thing i have are ghosts inside my head.
(VERSE TWO)
(Waltz)
When I was just a little lad
I asked my father
what will I be?
Will I be witty?
Will I be wise?
Here's what he said to me:
(CHORUS)
(Gospel)
[Call]: Someday, you'll die.
[Response]: You're gonna die!
[Call]: Oh, yes, you'll die.
[Response]: We dunno why!
And none of it will matter when you're six feet underground.
[Call]: Someday, you'll die.
[Response]: You're gonna die!
[Call]: Oh, yes, you'll die.
[Response]: Die! Die! Die!
Enjoy the lives you're given til your hearts refuse to pound.
Wednesday, April 11, 2012
Port of Call: Clevelandia
VICTORIABORG (April 15)
Victoriaborg (9) would make a fine wife
to Cleveland, all pit-stained and pudgy for life.
In earnest, she flies the royal colors of Dutch
though allegiance, to her, doesn't mean very much.
If victory's hers as she opens her hold,
Kowalski-esque Borgnine doth take what she's sold.
ISADORA (April 3)
Isadora, I implore ya,
come and go, in seaway flow
from Amsterdam with Cyprus flag,
Polish owned, you weary hag.
Depart our misty, sacred shores
with Cleveland salve upon your sores.
Victoriaborg (9) would make a fine wife
to Cleveland, all pit-stained and pudgy for life.
In earnest, she flies the royal colors of Dutch
though allegiance, to her, doesn't mean very much.
If victory's hers as she opens her hold,
Kowalski-esque Borgnine doth take what she's sold.
ISADORA (April 3)
Isadora, I implore ya,
come and go, in seaway flow
from Amsterdam with Cyprus flag,
Polish owned, you weary hag.
Depart our misty, sacred shores
with Cleveland salve upon your sores.
Sunday, April 8, 2012
Friday, April 6, 2012
Friday, March 30, 2012
Sunday, March 18, 2012
Friday, February 10, 2012
This is Not a Decision I Take Lightly
If truth be told, I've never been a Star Wars fan. I've sat through them all, sometimes grudgingly, in order to fulfill the canon, and I've been stirred by it, but mostly out of some sort of cultural obligation. The fact is, as a child in that summer of '77, I was pissed that other kids wouldn't play "Close Encounters of the Third Kind" with me.
"Hey, Sears! Where's my Richard Dreyfuss and Francois Truffaut action figures?" I protested. "You be Terri Garr and I'll try to convince you they're real!" I hoped.
But the pull toward light sabers and robots and empires and rebels was too strong. My first taste of alienation, I suppose. No pun intended.
So now, as my four year old son wears his R2D2/C3PO shirt never having seen a single episode, I must make a choice. Which episode shall he see first?
There are two major variables at play: the medium and the message.
The medium: Should a child see it in a theater with all the available whistles and buzzers of THX and 3D or at home in the comfort of a couch and a decent and loud 2D television?
The message: Where should a child begin in the story? Where I did, with Luke and Leia, or a character generation earlier, with lil' Anakin and Amedala?
The conclusion is inescapable: The kid's gotta see Episode I on the big screen in 3D, first.
Sure, you'd be right to say The Phantom Menace sucks. But then again, you're not 4 ("Four and a half, really"), and you are no tabula rasa, either.
This is not me deciding how I would have wanted to see them if I had the choice; This is me deciding for the kid, acting as he would act if he had a full appraisal of the facts and history of the matter, substituting my forty-something judgment for his.
Nor does this decision mean that he must "witness" all episodes in the same forum. I can surely envision him seeing the deathly freeze of Han from the comfort of a couch.
Rather, my kid is immersed in the technologies of our times, and seems to have a cultural awareness beyond his years. Perhaps I'm projecting, but in one shamefully commercially interrupted partial viewing of Revenge of the Sith a few months ago, as the Jedi council met, my kid noticed that some members were "telepresent" and not actually in the room.
I look forward to sharing Star Wars with my kid, nudging him through it, despite my long held distaste for it. In this regard, it is a metaphor for lots of things in life. And maybe, just maybe, by the time The Hobbit rolls around, he'll have forgotten all about Jar Jar Binks in the embrace of Bilbo.
"Let the pod race begin!"
"Hey, Sears! Where's my Richard Dreyfuss and Francois Truffaut action figures?" I protested. "You be Terri Garr and I'll try to convince you they're real!" I hoped.
But the pull toward light sabers and robots and empires and rebels was too strong. My first taste of alienation, I suppose. No pun intended.
So now, as my four year old son wears his R2D2/C3PO shirt never having seen a single episode, I must make a choice. Which episode shall he see first?
There are two major variables at play: the medium and the message.
The medium: Should a child see it in a theater with all the available whistles and buzzers of THX and 3D or at home in the comfort of a couch and a decent and loud 2D television?
The message: Where should a child begin in the story? Where I did, with Luke and Leia, or a character generation earlier, with lil' Anakin and Amedala?
The conclusion is inescapable: The kid's gotta see Episode I on the big screen in 3D, first.
Sure, you'd be right to say The Phantom Menace sucks. But then again, you're not 4 ("Four and a half, really"), and you are no tabula rasa, either.
This is not me deciding how I would have wanted to see them if I had the choice; This is me deciding for the kid, acting as he would act if he had a full appraisal of the facts and history of the matter, substituting my forty-something judgment for his.
Nor does this decision mean that he must "witness" all episodes in the same forum. I can surely envision him seeing the deathly freeze of Han from the comfort of a couch.
Rather, my kid is immersed in the technologies of our times, and seems to have a cultural awareness beyond his years. Perhaps I'm projecting, but in one shamefully commercially interrupted partial viewing of Revenge of the Sith a few months ago, as the Jedi council met, my kid noticed that some members were "telepresent" and not actually in the room.
I look forward to sharing Star Wars with my kid, nudging him through it, despite my long held distaste for it. In this regard, it is a metaphor for lots of things in life. And maybe, just maybe, by the time The Hobbit rolls around, he'll have forgotten all about Jar Jar Binks in the embrace of Bilbo.
"Let the pod race begin!"
Sunday, January 8, 2012
Lawyers, Nuns & Money, Part III: Houses of the Holy
"Mr. Bloomsday?" A voice from behind interrupts his spontaneous cinematography. He turns from the cemetery behind St. Ruth's to find Sister Beatrice or Bernice approaching with a curious smile.
"Oh, good morning, Sister..." He pauses, unsure of which nun he's talking to.
"It's Bernice," she says.
"Yes, well you and your sister look so much alike, I can never..."
"It's perfectly fine. We're as identical as they come, except I don't have webbed feet." She sees my shock, and reassures me that she's kidding. "An old joke between me and Bea," she says. "I'm happy to see you. Out for a run?"
"I jog through the grounds regularly to short cut down to the river valley, and the cemetery and statues put me in a peaceful frame of mind." That and the shuffled Led Zeppelin soundtrack in my ears, he thinks to say but doesn't. A few minutes earlier, he had been, in fact, intent on a longer and less muddy route to the valley's jogging path, but Houses of the Holy started playing as he approached St. Ruth's, and he felt strangely compelled to modify his course. Guilty, perhaps. He hadn't packed the kids up for church in weeks.
"I trust you heard the wonderful news about the little girl we though was murdered, but wasn't?" she asks.
"Yes. A remarkable story. You know, if you hadn't gone to consecrate the landfill where you thought she had been dumped, I suppose her reunion with her family would never have happened," he says.
"And if you hadn't so graciously driven us there, we'd have never consecrated the landfill. Funny how things like that unfold, traced back to the prime mover."
"Primum movens," Bloomsday offers.
"Aristotle by way of St. Thomas of Aquinas," she says. "A perfectly acceptable detour. Enjoy your run, Mr. Bloomsday."
A perfectly acceptable detour, indeed, he surmises as he heads into the valley, Page and Plant blaring in his ears.
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